Myra Presents: 2016-2017 Concerts in the Galleries
About the Series
“Not too long ago, audience members would storm out of the concerts if the musicians played anything new, but as time went by, the audience began to appreciate the new stuff, until the new stuff became the highlight of each show.” —Laurel Reuter, Director, North Dakota Museum of Art
Tickets for the Concert Series are available by subscription, or available for single concerts at the door or in advance at the Museum, 701.777.4195.
Member tickets: $80 for the season,
$20 per concert at the door
Non-member tickets: $100 for the season,
$25 per concert at the door
Student and Military tickets: $40 for the season,
$15 per concert at the door
Children 12 and under: Free
Committed classical music lovers also contribute an additional $100 on top of their season ticket to become sponsors who share in the cost of bringing great music to the community.
Performing Arts Fund, a program of Arts Midwest, funded by the National Endowment for the Arts.
This project is supported in part by a grant from the North Dakota Council on the Arts, which receives funding from the state legislature and the National Endowment for the Arts.
Alonzo and Roberta Mason
Marie and Clifford Haugen
Luise and Richard Beringer
Dr. Leslie and Martha Klevay
Rolf and Linda Paulson
Carol Cook and Tom Steen
Rod and Teresa Dahlstrom
Nancy A and Mark Hadlich
Bryan Hoime and Greg Martin
Gordon and Trudy Iseminger
Derek and Nile Kobetsky
Cec and Dave Lambeth
Bobbi Hepper Olson
Jerry and Karen Ryan
Kirk and Joan Smith
Historical Concert Links
Chiara String Quartet
October 23, 2016 | 2 pm, North Dakota Museum of Art
October 24, 2016 | 7:30 pm, Mayville State University
Sponsored by Devera Warcup
Program: Character Sketches
Britten: Three Divertimenti
Schubert: String Quartet No. 13 in A minor, Op. 29
Beethoven: String Quartet No. 13 in Bb Major, Op. 130
with Grande Fugue, Op. 133
The Chiara String Quartet (Rebecca Fischer and Hyeyung Julie Yoon, violins; Jonah Sirota, viola; Gregory Beaver, cello) spent two years in Grand Forks, through a two-year residency set up by Chamber Music America. It had been ten years since a string specialist taught at the University of North Dakota (UND). Arriving in September 2000 and having just formed, the Quartet not only sharpen their style and learned repertoire, they transformed chamber music in the region. The strings program blossomed at both UND and the local Symphony Orchestra. Today the Chiara has established itself as among America’s most respected ensembles, lauded for its "highly virtuosic, edge-of-the-seat playing" (The Boston Globe). They are currently Hixson-Lied Artists-in-Residence at the Glenn Korff School of Music at the University of Nebraska¬–Lincoln and were the Blodgett Artists-in-Residence at Harvard University from 2008 to 2014. For the 2015-2016 season, the Chiara was quartet-in-residence at New York’s Metropolitan Museum of Art.
The Chiara String Quartet is known for playing its repertoire from memory. In addition to playing without printed parts, as demonstrated on the albums “Brahms by Heart” and “Bartók by Heart,” the Chiara also performs in a variety of unusual venues, such as bars and nightclubs, following its bywords, “Chamber music in any chamber.” The ensemble has taught at the Juilliard School of Music, the Greenwood Music Camp, and the Chamber Music Institute of the University of Nebraska. They have recorded on their eponymous label, as well as New Voice Singles, New Amsterdam, and Azica Records.
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Luminus Piano Trio
January 22, 2017 | 2 pm, North Dakota Museum of Art
January 23, 2017 | 7:30 pm, Mayville State University
Jon Rumney, Erik Anderson, and Dianna Anderson formed the Luminus Trio over a decade ago as music faculty at Minot State University. They have performed hundreds of regional programs exploring both traditional and modern repertoire, including several world premieres. Every June, Luminus serves as the resident faculty ensemble for Dakota Chamber Music, a week-long institute for chamber music study at MSU. Attendees in 2016 came from as far away as Mississippi and Vancouver. DCM has received nationwide recognition, and finished its 20th season last summer with additional faculty from Rochester, NY, Pittsburgh, PA, and Oxford, MS. Composer Sean Neukom wrote “Evolution 3”, a trio dedicated to Luminus which was premiered that season.
Eric Anderson, a native of Washington State and principal cellist with the Minot Symphony Orchestra, earned his BM and MM from the University of Idaho, and completed his DMA at the University of Cincinnati College-Conservatory of Music.
Jon Rumney was Artistic Director of Dakota Chamber Music from its inception in 1996 to 2005. He has been Professor of Music at Minot State University since 1994 where he teaches violin, viola, chamber music, and music history. He received his BM, MM, and PhD in Musical Arts from the Eastman School of Music. He has studied chamber music with members of the Juilliard, Guarneri, Cleveland, Emerson, Tokyo, and American String Quartets.
Dianna Anderson is a founding member of Musicians at Play, with Erik Anderson and Adam Estes, an ensemble specializing in jazz and chamber music for clarinet or saxophone, cello, and piano. She has taken her degrees from the University of Idaho and Cincinnati College-Conservatory of Music.
February 5, 2017 | 2 pm, North Dakota Museum of Art
February 6, 2017 | 7:30 pm, Mayville State University
Gilles Vonsattel performed the program “Revolution” on February 2, 2017 in a solo recital at the Chamber Music Society of Lincoln Center (New York), the same program he will perform three days later at the North Dakota Museum of Art. The concert features music related directly to human insurrection. This program was singled out by the New York Times as an upcoming highlight of the 2016/17 season.
Dussek The Sufferings of the Queen of France for Piano, Op. 23 (1793)
Beethoven Six Bagatelles for Piano, Op. 126 (1824)
Beethoven Sonata in E-flat major for Piano, Op. 81a, Das Lebewohl, Abwesenheit, und Wiedersehn (Good-byes) (1809-10)
JanáÄek Sonata 1.X.1905 (From the Street, 1 October 1905) for Piano (1905-06)
Liszt “Funérailles” from Harmonies poétiques et religieuses for Piano (1833-34)
Rzewski “Winnsboro Cotton Mill Blues” from “Four North American Ballads for Piano” (1978-79)
A winner of Canada’s 2009 Honens Piano Competition, Swiss-born, American pianist Gilles Vonsattel is also a top-prize winner at the Naumberg and Geneva competitions. Recently drawing acclaim for his “tightly conceived and passionately performed” recital programs, Mr. Vonsattel’s recently released album, ‘Shadowlines,’ was described by the New York Times as a “mesmerizing disc by the immensely talented pianist Gilles Vonsattel.” His 2011 recording for the Honens/Naxos label of music by Debussy, Honegger, Holliger, and Ravel was named one of Time Out New York’s classical albums of the year, while a 2014 release on GENUIN/Artist Consort received a 5/5 from FonoForum and international critical praise. Engagements in the 2015-2016 season include Mozart Concerti with the Florida Orchestra and Vancouver Symphony and recitals in Asheville NC and Bridgehampton and Beacon NY, as well as numerous appearances with Chamber Music Society of Lincoln Center in New York and across the United States.
Reengaged by the San Francisco Symphony, Vonsattel has also soloed with the Warsaw Philharmonic, Calgary Philharmonic, Edmonton Symphony, l’Orchestre Symphonique du Québec, Boston Pops, Nashville Symphony, Musikkollegium Winterthur, Staatskapelle Halle, and L’orchestre de chambre de Genève. He has appeared in concert with the Pacifica, Orion, Ebène, Danish, Daedalus, Escher, and Borromeo Quartets.
He received his BA in political science and economics from Columbia University and his MFA from The Juilliard School. He is on the faculty of the University of Massachusetts at Amherst, and makes his home in New York City.
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February 26, 2017 | 4 pm, North Dakota Museum of Art
February 27, 2017 | 7:30 pm, Mayville State University
Dubbed a “neo-Romantic marimba virtuoso”, Pius Cheung is widely known as a master soloist on his unusual instrument. His brilliant CD of Bach’s Goldberg Variations was written about in a feature story in The New York Times, which praised not only the technical feat of performing the intricacies of this keyboard work with 4 mallets, but also expressed admiration for his “deeply expressive interpretation, notable for its clear voicing, eloquent phrasing and wide range of color and dynamics.” The CD has been broadcast throughout the US and Canada on NPR and CBC Radio.
His second CD, Symphonic Poem, presents Cheung’s own compositions, and was released at the Percussive Arts Society International Convention in 2009. As a composer, Mr. Cheung’s Three Etudes won First Prize in the Classical Marimba League’s Competition in 2007. He has also composed a Concerto for Marimba and String Orchestra, and collections of preludes, etudes and sonatas.
Mr. Cheung’s engagements this season include an appearance as concerto soloist with the Hong Kong Philharmonic Orchestra performing Colours of Crimson by Bright Sheng. He gives a solo recital at the prestigious Morgan Library and Museum in New York. Other concerts are in NYC’s Washington Square Music Festival, at the Library of Congress in Washington DC, and the Manchester Music Festival (VT).
After winning the 2008 Young Concert Artists International Auditions, Mr. Cheung made his New York solo recital debut in the Young Concert Artists Series at Carnegie’s Zankel Hall, his Kennedy Center debut in Washington, DC, and at the Isabella Stewart Gardner Museum in Boston. As recipient of the Usedom Music Festival Prize, he was engaged to perform at that Festival in Germany. Cheung has appeared as concerto soloist with the Philadelphia Orchestra as winner of their annual concerto competition at the Kimmel Center, performed Creston’s Marimba Concerto with the Simon Sinfonietta (MA) and with the British Columbia Chamber Orchestra and Vancouver Metropolitan Orchestra in Canada. He has performed marimba recitals at the Boston Public Library, the University of Georgia, the Colonial Theatre (MA), The Paramount Theatre (VT), Jordan Hall in Boston, at Stratford Summer Music in Canada, in Denmark, Croatia, and at the Hong Kong Arts Festival.
Pius Cheung moved from his native Hong Kong to Vancouver at the age of 12. He received his BM from the Curtis Institute in Philadelphia, his Artist Diploma from The Boston Conservatory, and his PhD from the University of Michigan. Currently he is Assistant Professor of Percussion at the University of Oregon.
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April 2, 2017 | 2 pm, North Dakota Museum of Art
April 3, 2017 | 7:30 pm, Mayville State University